Is DJ’ing an artform?

January 15 2007

Category: Thoughts

Is a mixset a piece of art?
Is a DJ an artist?

People often ask: is a DJ an artist? This is a difficult question. Sure, there is a certain skill involved in DJ’ing, but does that make the DJ an artist? There is skill involved in driving a car but no-one would call driving an art-form. Is the same true of DJ’ing?

I believe that DJ’ing is a form of art. The purpose of this short article is to explain my reasons for holding this belief. My goal is to convince the skeptics that DJs should be put into a similar category with other artists. Musicians, composers, painters, and photographers are all artists that have learned a skill. They use their skill to bring about emotion in other people. They do this by either creating something new, or by capturing a unique scene or moment in time, and then making the result available to an audience. DJs are the same. They use their skill to create mixsets, and in doing so they are capturing something unique which can be made available to an audience. To strengthen my point, I will draw an analogy between a photographer and DJ. I believe that if photography is a form of art, then so is DJ’ing.

So, what does a DJ actually do?
At its most basic level a DJ selects a range of musical pieces and plays them to an audience. The primary goal is to make people dance. But is this art? Surely an iPod on random shuffle can do this. We wouldn’t want to call an iPod artistic–especially if it is random. Of course, this is a naive view. An iPod on random shuffle cannot keep people dancing. Occasionally it might play an agreeable song, which some people will dance to. But that is just blind chance. Its pure luck. An iPod is not an artist.

So what does a DJ do that an ipod does not do? There are two important aspects to DJ’ing. First, there is the process of mixing. Second is song selection.

1) Mixing:
A good DJ will blend songs together in order to create a suite of music in which the audience is unaware of the transitions between tracks. Not only does this keep a dance floor energy on a constant flow, it can also sound very good when elements between two songs interact. Mixing is a technical skill that many people can learn. It is important, because it gels the music together, but ultimately it is a mechanical process and therefore not artistic in itself.

2) Song selection:
The most fundamental aspect of DJing is song selection. A DJ selects a range of tracks that mix nicely together in order to create a “mixset” (sometimes simply referred to as a mix). When a DJ does his job well, not only will the set be seemless, it will also take people on a musical journey which is almost symphonic in structure. The set will start in a certain place and take people through highs and lows, light and shade, through major and minor keys. This is not done randomly. It is done by carefully considering the mood of the people on the dance floor while also considering which songs mix well together. DJ sets often build up to a peak in energy before gradually coming back to the same level at which they started. Other DJ sets can start off subtle and continue to build people up, increasing the energy and excitement to a crescendo before rapidly dropping back down. Sometimes a DJ will end his set at the crescendo.

The important feature of the DJ mixset is the journey that it takes its audience on. And it doesn’t have to be live. A DJ can mix a set on radio or in a studio which will take its audience on just as powerful a journey–though this is more difficult because most mixsets are constructed in reaction to the audience.

So, how is this art?
Well, it is art insofar as the mixset is a unique suite of music, which can be considered as a complete unit. It is built out of a range of separate tracks that the DJ has consciously chosen to include in the greater whole. It is not a random selection. The DJ has chosen the tracks for a reason–to generate emotions and feelings. Furthermore, this is not something that anyone can do. DJs are like music filters. There are thousands of tracks released every year, and the DJ has to filter through them and decide what is good, and what is not good. The DJ has to decide what to put into his set for people to hear.

But is this art or just musical taste?
It is art in the same way that photography is art. Consider a photographer. She will go in search of scenes that she believes have certain qualities. Often the scene a photographer finds can look quite ordinary to other people. In fact, many people might walk by without noticing. The photographer sees something unique and beautiful in the scene and uses her technical skill with the camera to bring out its best qualities. The resulting picture is then made available to an audience. The same is true for a DJ. The DJ finds music that he considers to have certain qualities. The DJ then uses his technical skill to blend his chosen music together in a way which brings out the true beauty of the individual pieces. In this way the DJ is like a photographer. If a photographer is an artist, then so is the DJ.

Conclusion
My goal in this article has been to show that a DJ is an artist, and the mixsets he produces are a form of art. There is more to DJ’ing than the mechanical act of mixing. Good DJ mixes do not consist of random song choices. There is an artistic process at work. Just as a photographer picks scenes that already exist and packages them in a way that makes them appealing to an audience. A DJ picks music that already exists and packages it in a way that makes it appealing to an audience.

A mixset is a piece of art.

Brent Silby (2007)

I’ve had some spare time over the last couple of weeks, so I have been cataloging all my creative type work (DJ and non-DJ related work). Its a very interesting process to go through. As far as DJ related output goes, I have listed everything I’ve managed to find on my bio page, so feel free to take a look.

In addition to cataloging my mixsets, I have listed a bunch of remixes that I did back in 2001. These were done using Sony Acid Pro software. Since I only had the actual completed tracks to work with, I had to slice up the songs with Acid Pro and re-edit them. I would usually search for nice vocal hooks and sample them in new places to give the songs a slightly different feel. I played the resulting tracks during my time at “The Carlton”.

I have uploaded these remixes but have not yet linked to them. Since I did not have permission to work on these tunes from the original producers, I am a bit hesitant about making them downloadable. I’ll give it some thought and make a decision in the next few days.

In the meantime, check this set out. I did this one for the iMusicUnderground project. It’s a pleasant journey.

Enjoy…
Brent Silby (2007)

“Tell me” - Brent “Maestro B” (running time 60 minutes)
Play now (to download right click, Save Target As)

Classic mix from 1995

January 9 2007

Category: Mixsets

I found an old tape that I made during my time at the Christchurch city Palladium niteclub back in 1995. The tape is interesting because it clearly demonstrates the style of music I was playing at the time. There’s a blend of house and commercial club/dance, which was pretty standard for me during my time at the Palladium. Its more club/dance orientated than house, but I thought I’d post it here for people who are interested.

I was resident at the Palladium for about 2 years. It was a great club. Quite big too (by Christchurch city standards). When this tape was made there would have been up to 800 people in the place (I think that was the capacity). The place normally packed out during those years (it went through cycles of popularity).

Listening to the music, I am guessing that I recorded the tape around midnight, which was when the club would have been getting pretty busy. We operated from 9pm to 7am. I would normally start at 10pm and DJ through to 7am a couple of nights per week. At one stage the night was split in two between myself and the other resident DJ (therobsta). That seemed to work quite well until Rob got another gig and I was left doing 9 hour sets. Compared to the 1 or 2 hour sets I do at events, 9 hours seems like a veeery long time. I usually broke the night into sets–building the music up and then lowering the tempo before building it up again. It seemed to work quite well.

I’ve put the 45 minute recording here. The tape is quite old so occasionally you will notice the left channel distorting a little. It doesn’t happen often.

Brent Silby (2007)

PALLADIUM NIGHT CLUB 1995 - Brent “Maestro B” (running time 45 minutes)
Play now (to download right click, Save Target As)

Again, I would like to wish everyone a happy 2007. I set aside some time today to put together another set for the upcoming White Elephant dance music radio station.

This is a nice montage, featuring a couple of distinct house styles. I’ve started with Intensity (a nice soulful track) and moved on to a couple of disco house records before throwing in a few electro sounding tracks.

The set runs for 63 minutes and should get your toes tapping.

Enjoy your day.
Brent Silby (2007)

“Intention” - Brent “Maestro B” (running time 63 minutes)
Play now (to download right click, Save Target As)

Rene Hewitt has created a new site dedicated to furthering House music. The site is www.iMusicUnderground.com and consists of a group of MySpace subscribers, websites, clubs, record companies, DJ’s and more generating the House Music Community in promoting each others events.

I have linked to an exclusive Larry Heard mix, which is currently featured on iMusicUnderground. Larry Heard has had a strong history in music, and his style comes through clearly in this mix.

Play the mix (To download the mix right click, Save Target As)

In the mix with NaJ

January 5 2007

Category: Mixsets

Welcome to 2007. I hope that you had a great New Year’s celebration and managed to get out to hear some great music–or play some great music if you were DJ’ing somewhere. A nice way to kick of 2007 is to listen to a brand new January mix from NaJ.

I hope that 2007 is a good year for you all. Enjoy this set from NaJ…

Stream the mix (160kbps quality)
Download the mix (right click, Save Target As)